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Scores Trombone

Title
Author
Set
Prices
La Belle et le Bête (C'est la Fête) - Quintette de Cuivres - MENKEN A.

Beauty and the Beast (Be Our Guest)

Alan Menken

Quintette de Cuivres

14.90€

Kustino Oro - Ensemble Géométrie Variable - TRADITIONNEL YOUGOSLAVIE

Kustino Oro (Flexible instrumentation)

Traditionnel Yougoslavie

Ensemble Variable

19.90€

Ederlezi- Fanfare - TRADITIONNEL

Ederlezi (Fanfare)

Traditionnel balkans

Fanfare

7.90€

Misirlou (Pulp Fiction) - Ensemble à Géométrie Variable - TRADITIONNEL

Misirlou (Pulp Fiction)

Traditionnel

Ensemble Variable

19.90€

Londonderry Air - Ensemble de Cuivres - TRADITIONNEL IRLANDAIS

Londonderry Air (Brass ensemble)

Traditionnel Irlandais

Ensemble de Cuivres

7.90€

Concerto pour Trombone - Trombone & Cordes - PIZON P.

Concerto for Trombone (Trombone and Strings)

Pierre Pizon

Trombone et Orchestre à Cordes

39.90€

Toy Story (J'ai trouvé un ami) - Quintette de Cuivres - NEWMAN R.

Toy Story (You've got a friend in me)

Randy Newman

Quintette de Cuivres

14.90€

Siffler Brasil - Combo Jazz - VALLEJO A.

Siffler Brasil

Alain Vallejo

Combo Jazz

7.90€

La Belle au Thé - Septet Jazz - VALLEJO A.

La Belle au Thé

Alain Vallejo

Septet Jazz

7.90€

Les Rondes - Sextet Jazz - VALLEJO A.

Les Rondes

Alain Vallejo

Sextet Jazz

7.90€


"Trombone" comes from the Italian word tromba (trumpet) plus the suffix -one (big). It literally means "big trumpet".

During the Renaissance, the trombone was called "sacqueboute", from the Old French "sacquer" and "bouter" meaning "to pull" and "to push".

The German "Posaune", long before the invention of the slide, could refer to a natural trumpet from the early 15th century.

Eventually, cities and noble courts sponsored trombone ensembles. By far the most famous and influential served the Duke of Burgundy. The main role of the trombone was to play the countertenor role in a dance orchestra. The sackbut was widely used throughout Europe, first appearing in the 15th century and then declining in most places by the mid to late 17th century. It was used at outdoor events, in concert and in liturgical settings. In addition to trumpeters, trombonists in German city-states were sometimes even employed as civil servants. As officials, these trombonists were often relegated as guards in the city towers but also announced the arrival of important figures. Their role resembled that of a military bugler and was used as a sign of wealth and strength in sixteenth-century German cities.

When the sackbut came back into common use in England in the 18th century, Italian music was so influential that the instrument became known as the "trombone," although in some countries the same name was used throughout its history, namely the Italian trombone and the German Posaune. The seventeenth-century trombone was built in slightly smaller dimensions than modern trombones, and had a more conical and less flared bell.

In the late baroque, Johann Sebastian Bach and George Friderich Handel used trombones on a few occasions. Bach used it in some of his cantatas, even writing for four trombones (with the very rare soprano trombone playing the cantus firmus, which would normally be played on the cornet à bouquin).Handel used it in the Death March of Saul, Samson, and Israel in Egypt, all of which were examples of a new oratorio style popular in the early 18th century. Separate score notations are rare. Handel, for example, had to import trombones from a royal court in Hanover, Germany, to England to perform one of his greatest compositions. Consequently, trombone scores were rarely given "solo" roles that could not be substituted by other instruments.

The construction of the trombone changed relatively little between the Baroque and Classical periods, the slightly more flared bell being the most obvious feature.

The first use of the trombone as an independent instrument in a symphony was in the Symphony in Eb (1807) by the Swedish composer Joachim Nicolas Eggert. However, Ludwig van Beethoven, who used it in the last movement of his Symphony No. 5 in C minor (1808), is the composer who used it most often in the symphony orchestra. Beethoven also used trombones in his Symphony No. 6 in F major ("Pastoral") and in his Symphony No. 9 ("Choral").

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